Ever had that moment when you can’t remember the name of a font? Often during my college days, I used to flick through old specimen books trying to remember the various names, thinking it would be clever to be able to name fonts when I came across them being used.
So what is it that makes a font rememberable?
Type designers constantly strive to find new shapes to manipulate into letterforms, giving character to character(s). Many fonts are instantly recognisable by their distinctive letterforms, but it can be hard remembering what they're actually called. Thank goodness for sites that have created algorithms for situations like this, and for the good people at Fonts In Use who take the time to archive type/font identification in use.
For anyone with an idea for a typeface design, there is an element of fear when embarking on the design process – partly because a typeface takes so long to complete. We have to think of a typeface like wine, it can take several years to finesse, and it often gets better as it ages. And of course another aspect that may hinder the whole process (or simply mean that it's left on the back burner) is the potential feedback by our peers.
Bely was designed by Roxane Gataud, and is her first ever font. Bely is a small family of fonts with minimal weights that draws similarities from historical references, it is well-crafted but remains very contemporary. While we admire fonts that follow a certain discipline, it's often the fonts that break out from that discipline which make the most memorable impression on us.
Bely Display is the most daring member of the font family, it’s bold, elegant, classy, brave and evokes a sense of playfulness. Who can ignore Bely's beautifully-crafted oval forms, such as C, G, O, Q, c, e and o? Despite their disruption to the rhythm of the text and their expressive backward-slanted movement, they respect their fellow letters and manage to fit in harmoniously.
Bely Display does what only a handful of fonts do, it becomes instantly embedded into our minds due to its combination of bold and simple shapes – these remind me of a pregnant belly, shark's teeth and (in the case of the counters) cats' eyes.
Despite these metaphorical comparisons, the font's name actually came from the poet Andrei Bely. Roxane did explain that she liked how the word ‘Bely’ sounds closely to ‘belly’ and felt that the comparison was “Pretty accurate regarding the shapes of the display.” So, it would seem that when we become familiar with a font's shape and gain some understanding of the connection between its form and what it's called, the sometimes tricky business of remembering its name is made that much easier…