Often sited as one of Britain’s ugliest architectural carbuncles, the 1960s Barbican Estate in London has its fair share of admirers and detractors. Melissa Price is firmly in the admiration camp. Not content with merely living in the estate and working there – in her capacity as designer for the Cartlidge Levene team on the Barbican Centre wayfinding project (produced in collaboration with Studio Myerscough) and also the Barbican estate pedestrian mapping project - she also spends her spare time exploring the architecture of the estate by creating beautiful screenprints of its elevations.
Ten Elevations is a self-motivated sixteen-page ode to her paramour. The book explores the architecture of the Barbican Estate by simplifying sections to make flat elevations in black and white.
The illustrations in the book are a result of three years of on-site observations. Focusing on the architect's use of simple materials and observing how the geometric language of rectilinear and circular forms create a very distinctive architectural identity, Price is keen to point out the similarities between how architects and graphic designers approach their respective tasks. “Barbican architects worked with a very limited palette of materials to create variety and interest,” she says, “and I found it interesting to compare this with graphic design; we go through similar processes to create a strong identity for clients – developing a limited palette and combining these in endless ways to create a rich identity system.”
Price’s observations were initially drawn up in Illustrator, then screenprinted using water-based inks at the East London Printmakers in Hackney to create a short run of twenty copies. They are a wonderful testament, not just to one person’s love of a particular place, but also to the still river that runs through graphic design and architecture.Four of Melissa's Barbican Elevations prints are available to buy here.